As I stated in the previous post, I decided to do some stringing with all of the white pixies, pearls and crystals that have been piling up over the past several years. The poorest quality went into a mini-curtain I made as a proof of concept. Having eliminated all the really bad beads, I still had a lot of rather lumpy freshwater pearls. As the quality increases, they become smoother, but the texture inherent in the less-expensive ones—like the texture I also found so fascinating in chips—actually can add interest to a piece, especially one this monochromatic.

Freshwater pearls, sterling (US & Bali) silver, glass (crystal [austrian & chinese], czech fire polish, seed beads), antique steel-cut & aluminium seed beads, beadalon. There is also one hollow lampworked bead in this piece. Can you spot it? Summer 2006.
It turns out that the two stick clasps I had were interchangeable, so I conceived the piece as something that could be worn as a necklace-and-bracelet set, or as one longer necklace, the two clasps acting as focal points. I showed the work-in-progress to a friend of mine, who immediately volunteered to purchase it. Bracelet too, even though she doesn't wear bracelets. She's been nagging me ever since to finish, but I was concerned she might not like the fringey ends on one side of the clasp. She took a few moments to get used to them, and returned to her prior exhortations to finish. Now assured that she really liked the piece, I did, finally. Strung up the bracelet, measured it against her wrist, and now it just waits on me to finish.
Ah well. Perhaps I'll do that today. And take a decent photograph of the intervening bead curtain project, and do my laundry, and pay my bills, and...
Private collection. file created 17oct06
Unless otherwise noted, text, image and objects depicted therein copyright 1996--present sylvus tarn.
Sylvus Tarn